Ten years later, Limosin returned to the series, using a mini-DV camera to push even further in the highly intimate style he achieved in his film of Cavalier. His focus on the Dardennes—surely among the most influential filmmakers working today—is really on the subject of their collaboration: How do the brothers communicate? How can you read the gestures or looks exchanged between them? The film is largely about all these unspoken moments, and what collectively they reveal about the brothers’ working methods.