Navid, an Iranian Kurd living in Tehran, meets Setareh during the protests that erupt following the 2009 elections. They continue their political activism at their university until one day Navid is thrown out. To cap it all, Setareh’s father tells him to stay away from his daughter; if Navid really loves her, so the argument goes, he will not ruin her future by continuing to woo her as a penniless man. Navid pleads for a period of grace in which he can find work and a place for both of them to live. As we observe him making his way through the loud and hectic Tehran, we gain an insight into the different social circles and ways of life in this city. Gradually, Navid’s frustration turns into aggression. The tone of Reza Dormishian’s second film is pervaded by the attitudes of a young generation without prospects. Their anger informs the film’s rhythm and the camera captures their restlessness. This allows us to experience at close quarters the powerlessness of a lost generation which feels robbed of its birthright, and whose protests come to nothing.纳，伊朗库尔德人居住在德黑兰，满足setareh抗议，爆发后在2009大选。他们继续他们的政治活动在大学直到一天纳是抛出。更糟的是，setareh的父亲告诉他远离他的女儿；如果纳真的爱她，所以争论，他将不会继续追求她，作为一个身无分文的人毁了她的未来。纳恳求一个宽限期，他能找到工作，两人住的地方。当我们观察他通过响亮而忙碌的德黑兰途中，我们深入了解这个城市的不同的社交圈子和生活方式。渐渐地，纳的挫折变成侵略。萨dormishian的第二部电影的基调是充满了年轻一代的态度没有前途。他们的愤怒，通知该影片的节奏和相机捕捉他们的不安。这使我们能够在近距离的失落的一代，这感觉剥夺了其与生俱来的无力感的经验，他们抗议落空。